Caitlin Shares an Undersea Cover Up

Back in July, I attended the 2nd Annual New York City Poetry Festival on Governor's Island. Not only did I meet some great tattooed poets, I met a lot of other folks too. The festival had a few of Brooklyn's famous food trucks lined up, serving people hungry for grub and verse.

One of these vehicles was the Kimchi Taco Truck, and Caitlin, one of the truck's employees, shared this cool cover-up on her back:

Caitlin got this tattoo at East Side Ink from Patrick Conlon, who she picked because he was from San Francisco, which is where she is from as well.

She explained that the piece is a cover-up. "I had a really janky tattoo of a star back there," she said, "that's where the starfish is." She had Patrick do the whole design and turn it into a seascape.

Patrick also works at Graceland Tattoo in Brooklyn, His work has been featured previously on Tattoosday here and here.

Thanks to Caitlin for sharing her work with us here on Tattoosday!

This entry is ©2012 Tattoosday.

If you are reading this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Our 1000th Post! David's Mermaid and Seahorse Blow Us Away......

Pardon the royal "we," but this is our 1000th post, and we feel a little celebratory.

To honor this milestone, we are sharing this amazing half sleeve belonging to David:

This astonishing work is the creation of artist Erick Lynch at Redemption Tattoo in Cambridge, Massachusetts.

David said that he had wanted a mermaid, as his wife loves mermaids, and that Lynch's work reflects a traditional Japanese style, thus the female figure appearing as a pearl diver, which is more in line with Japanese artistic tradition.

The whole of the half sleeve represents about 12 hours of work, in David's estimation, which includes the inside of the biceps, and this phenomenally vivid seahorse:

David points to Erick Lynch's use of white highlights in the seahorse, which really makes it "pop".

All in all, this is a remarkable piece of work that we are honored to have as our 1000th post here at Tattoosday. Thanks to David for sharing it and to Erick Lynch for his mastery of the art form!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.