Erica's Tattoos Help Her Through a Difficult Ordeal

I spotted Erica in my neighborhood earlier this month when I noticed a tattoo on her upper right arm. She was actually having some work done later in the week on it, so she offered up this quote on her forearm instead:

When I asked her about these lines, "Out of suffering have emerged the strongest souls; the most massive characters are seared with scars," she explained it was a quote from Khalil Gibran. The original source is unclear, as it is also attributed to a writer named Edwin Hubbell Chapin.

When I asked her why she chose this quote, she elaborated, "I'm going through a divorce right now ... it was a lot of emotional abuse [and] this represents that."

She had that done by an artist at Three Kings Tattoo in Brooklyn.

She also had this on her inner left arm:

She got this done by a visiting artist named Rebecca at Brooklyn Made Tattoo. This, too, has its roots in her past problems with her marriage. "Yoga," she told me "brought a lot of comfort and peace" to her during these difficult times. The flowers and the om on the petal represent that.

She followed up with me the following week with this photo:

The photo is a bit blurry, but you can see the differentiation between the older, larger piece, and the new work that Mr. Kaves from Brooklyn Made added to both the top and bottom of the tattoo. The original work she credited to Vic at Wicked Garden Tattoo in Clearfield, Utah.

Erica is a photographer, whose work can be seen on her website here.

Thanks to Erica for sharing her tattoos with us here on Tattoosday!

This entry is ©2013 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Kazim Ali

Our next tattooed poet is Kazim Ali.

When I reached out to Kazim at the beginning of the year, he commended me on the "prescience" of my inquiry, stating "I am as yet unwritten upon but am planning said writing in the next week or two...".

So, when Kazim sent us this photo, the ink was still fresh:

It's a great shot and when I first saw it, I was interested to hear what these lines of text were all about. Kazim didn't disappoint with this history:

"I have practiced yoga since 1999, never feeling more than a strict beginning, knowing less and less about yoga with every passing year. With poetry it feels the same. Though raised with traditional Muslim values, I struck out on my own to try to figure out God after encountering the work of Fanny Howe. From 2009-2011 I worked on my own book about yoga and Islam, called Fasting for Ramadan. While working on that book I came across and began translating the work of 20th century Iranian poet Sohrab Sepehri. One of his lines that resonates for me the most talked about the qibla, the direction of Muslim prayer--the direction toward which one must turn to face Mecca.

Sepehri's line (in translation) is roughly: I am a Muslim. My qibla is toward one single bloom of a rose.

Needless to say, my yoga practice taught me to always strive, to always try to know, that living (with or without a spiritual practice) is that exactly, a 'practice,' meaning 'process.' To write on the body is not permanent at all because the body is not permanent. To inscribe is to strive. The Farsi script runs right to left and the Sanksrit runs left to right. Each attempt at knowing oneself starts in the world, with others, in community, something I learn from both Islam and from Yoga.

I wrote on my left forearm: Man musulmanam. Qiblam yek ghul-surg.

I wrote on my right forearm the first line of the Yoga Sutras: Atha Yoganusanam. [in translation: Now (here, at this very moment in this very place) begin the teaching of yoga.]"

Kazim described how he came to know his tattoo artist:

"I met Sam McWilliams through my friend, Genine, also a poet. I wanted someone to write these sacred scriptures onto my skin and I wanted someone who would understand, if not the power of the scripture itself, then for sure the sacred quality of writing and of bodies. Sam had lived with Genine for a long while at the San Francisco Zen Center.

I went to Mermaids Tattoo, a special place where all the tattoo artists are women. We talked about the scripts and Sam said that while she had written Sanskrit before she had never written Farsi. I liked the idea of being in the hands of someone who knew her scripts but would be writing one for the first time. It felt like an occasion in the universe."

Kazim sent us this poem, which is an excerpt from a longer poem, which appeared in his book SKY WARD (Wesleyan University Press, 2013)

from "Journey to Providence"

but will I broken will I undone
at the water ask to go deeper a boat
dusting lindern clears away envy

wandering like lilac snow in dunes
never the water enter the duskwarm room
will I let you wing me will I have leapt skyward

~ ~ ~

Kazim Ali is the author of four books, most recently SKY WARD. He has also published two novels Quinn’s Passage and The Disappearance of Seth, two collections of essays, Orange Alert: Essays on Poetry, Art and the Architecture of Silence and Fasting for Ramadan: Notes from a Spiritual Practice, and translations of Sohrab Sepehri, Marguerite Duras and Ananda Devi.

His poems and essays have appeared widely in such journals as American Poetry Review, Kenyon Review, Hayden’s Ferry Review, Colorado Review, Denver Quarterly and the Harvard Divinity Bulletin. He edited the essay collection Jean Valentine: This-World Company and serves as co-editor of the Poets on Poetry Series and the Under Dicussion Series, both from the University of Michigan Press, contributing editor of AWP Writers Chronicle, associate editor of Field, and founding editor of Nightboat Books.

He is an associate professor of Creative Writing and Comparative Literature at Oberlin College and has served as visiting writer at many colleges and universities including Naropa University, St. Mary’s College of California, New England College, Texas State University, Western Illinois University, University of Michigan, University of Wyoming, the University of Southern Maine and Idyllwild Academy.

Thanks to Kazim Ali, not only for sharing his tattoos and poetry on the Tattooed Poets Project, but for taking the time to expound so thoughtfully on how he came to have this work done.

This entry is ©2013 Tattoosday. The poem and tattoos are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Tattoos I Know: Avital's Ink

It seems odd and yet is not beyond comprehension that, at the last two bat mitzvahs I have attended, I came home with tattoo pictures.

The first time (documented here) was a pleasant surprise. On Saturday, August 8, however, I had no expectations, as it was my daughter's bat mitzvah.

However, much to my amazement, I noticed that one of my sister's closest friends, Avital, has two small tattoos. I was more surprised, considering that Avital is a cantor, and that whereas tattooed Jews are not as rare as they used to be, an inked cantor is still an unusual sight.

Granted, her two tattoos don't jump out at you. The om on her right ankle:


and the slender "b+" on her right wrist


are discreet enough to be overlooked by a discriminating eye, and yet these two small tattoos are large with meaning.

Avital gave me a synopsis the day I took the photos, summing up that the "b+" was a personal message to herself to always "be positive," and that it is her blood type, but she has since offered up a lengthier, more thorough explanation, which I'll share here:

" [The b+], though it is very small (1/2") represents many important parts of my life: past, present and future. When my college friend, Erica died in December from Leukemia, I was devastated. Throughout her illness, she managed to have good spirits and enjoy time with her friends and family. Her battle against cancer put life in perspective for me. I have struggled with depression most of my adult life, and when she died, I made the conscious decision to turn my life around, completely. The morning after her death, my father was diagnosed with Glioblastoma, an aggressive brain cancer. Double whammy. My sister and I had both been contemplating a tattoo for several years, but Jewish guilt always managed to turn me away. After several hours in the ER with our father, we ventured down to Kingdom [Tattoos] and got our matching b+ tattoos. It's incredible how much strength I find from this little symbol on my wrist.

And Avital added:

"And the B in the b+ tattoo is a flat. in music. since I'm a musician. I can't believe I forgot that part! flats are most commonly associated with minor, "sad" keys. so, there is a bit of sadness in the tattoo. too."

As for the om, she elaborates:

"One of the major changes I made in my life after E died was a regular Yoga practice. An unfortunate encounter with a sharp blade left a 1" scar on my inner right ankle. After about 3 months of drawing an OM over the scar with a sharpie (so tedious!) I decided to make it permanent. The OM, like my b+, centers me, calms me, and reminds me of the simpler, more important things in life."

Much thanks to Avital for sharing her tattoos and the powerful stories behind them here with us on Tattoosday.