Recap of Matty No Times Fundraiser at Yes Gallery

My trip to the Yes Gallery in Williamsburg on Saturday for the launch party of the Matty No Times benefit was complicated by the weekend suspension of the G train.

Rather than a 1-transfer commute from South Brooklyn, the trip involved a lengthy trip on the R train which took me through Manhattan and into Queens, where a shuttle bus skirted me back to Brooklyn. Are you kidding me?

But I didn't want to miss this event, not only because it was for a good cause as the NY tattoo community rallied to help one of their own, but because it would give me the chance to see some amazing art and possibly meet some of the artists behind the work.

I shed my backpack and just brought my notebook, stuffed with fliers, although I didn't necessarily expect to do the Tattoosday thing at the event. But you never know, and it was a long (1 hour, 28 minutes, according to HopStop) trek. Who knows who I might meet along the way?

I arrived relatively early, just in time to catch Thomas Hooper exiting the gallery. I have long admired Mr. Hooper's work (even his web site is art) and was hoping to meet him.

I introduced myself and he was soft-spoken and polite. I would have loved to chat with him further, but he was headed elsewhere and seemed to be in a hurry to go.

Inside, the Yes gallery's air conditioning was a welcome relief, as I started looking at the hundred-plus works of art that had been donated by artists from all over to help Three Kings' artist Matty No Times recover from staggering bills that resulted from an emergency liver transplant last Fall.

I introduced myself to Matty (Mr. No Times sounds weirdly formal) and chatted briefly as he ran the table where people paid for the art, left donations, and entered the raffle. He is a very nice guy and seemed genuinely appreciative of the turnout.

The list of artists who contributed their work was staggering. Check it out:



One of the bonuses in going to the event, for me at least, was seeing the work donated by Peter Caruso, who is the artist who created  my third tattoo.

And whereas, I had discussed with Matty and several other guests the etiquette of taking close-up photos of the art hanging on the walls, I did have Pete's permission to post his painting, which we were all excited to see sold early on.



I was pleasantly surprised to run into one former Tattoosday contributor, Elizabeth, along with her husband. We chatted awhile as they made their way around the gallery.

I also talked with Magie Serpica, who I ran into last year at a Needles & Sins event, and who made her own Tattoosday contribution here. An artist at Bound for Glory Tattoo on Staten Island, she had contributed a painting, as well:

As the crowd swelled, I began to become overstimulated. Do I look at the art on the walls? Or do I look at the amazing art on the bodies? Most folks would have assumed I would have gone hog-wild taking photos of peoples' tattoos, but remember, I tend to embrace the random encounter aspect of the Tattoosday mission, and just like one doesn't see a lot of photos from conventions and tattoo shops, I avoided interviewing people about their tattoos. It just didn't seem sporting to do so. I did however, take a couple of shots of Peter's tattoos, to be unveiled at a later date here on the site.

I didn't receive a call from Matty on Sunday, so I will assume I didn't win the raffle. No worries. I wasn't in a position to invest in any art, so I did my part to help raise funds for this worthy cause.

You can support Matty through Three Kings Tattoo, where he works, and you still have time to visit the Yes Gallery, at 147 India Street in Brooklyn, and check out the art through Friday, July 23.

Thanks to all the artists who participated and made for such a wonderful  visual experience, and to all the extended friends of Tattoosday who made the event more enjoyable for me, especially Pete and his wife Maria, who let me tag along with them at the gallery and spared me the subway after the show with a much-quicker ride home!

Mel's Star Shines from Down Under

Earlier this month, I ran into Mel coming out of Penn Station.

She has amazing work, and it was soon clear why. Mel was visiting from Melbourne, Australia, where she works as a tattoo artist at Get Smart Body Art.

I was drawn particularly to one of her newer tattoos, this dot-style Tibetan-inspired design:

I told her it reminded me of the style of Thomas Hooper, an artist at New York Adorned whose website (here) showcases some astonishing work, including tattoos made from the dot-style technique.

Mel noted that it was an original design that was inked using a rotary tattoo machine, with the purpose of achieving this effect. Thomas Hooper's style, she acknowledged, inspired her to attempt this ambitious tattoo.

In all fairness, she collaborated with Mick Kelly, at Get Smart Body Art, who did the actual tattooing.

Thanks to Mel for sharing this lovely tattoo with us here on Tattoosday!

Burn My Body: Carson Honors a Difficult Decision

Needless to say, I was amazed.

Our paths intersected at 23rd and 7th around Noon. He had neck work and a sleeve, and an incredible lighthouse tattooed on the back of his left leg (for his fiancée, he later explained), but I didn't think I'd catch him. He was walking faster than me, and had earbuds in. I generally don't like to a) interrupt people listening to music and, b) chase them.

But I happened to be walking the same direction and, when I noticed he had stopped to look into the windows of Dan's Chelsea Guitars, condition "b" was no longer a factor.

I approached him, distracted him from his ear buds, and introduced myself. I forgave myself the interruption because his work was so well done.

As I always do, when speaking with folks with multiple tattoos, I asked him which meant the most, which piece I could feature here on Tattoosday. He acknowledged that he had a chest piece which was "in progress". Did he mind showing me on the street? As the photo above indicates, not at all.

Excuse my manners. I didn't introduce our host properly. The guy on the sidewalk displaying has tattoos just downstairs from the Hotel Chelsea was Carson James.

Carson is a Brooklynite that plays bass in a band called Tombs (click to hear some of their stuff on their MySpace page).

And when he pulled his shirt off, I was expecting a great chest piece, but nothing like what scrolled across his body.

Carson confirmed, the words were the complete lyrics to a song, "Burn My Body" by William Eliot Whitmore.


"What," I asked, "is the significance of this song that made you want to preserve it forever on you like this?"

He told me how, about two years ago, his younger brother, Trevor Lorne James, was killed in a motorcycle accident in New Jersey. His parents were understanably distraught over such a devastating event, and the decision fell to Carson - his brother's body was cremated.

Here are the lyrics to "Burn My Body":

Burn My Body

Burn my body in the northern field
and let the wind blow the ashes around
Then you will know that my wounds have been healed
'cause Lord I'll be homeward bound

Let the flames warm your hands
let the glow light your way
These gifts to you I bestow
No one's listening don't bother to pray
if you do I'll never know
Up and up the smoke will roll
like a cloud of frightened crows
carry my not so immortal soul
up between the rows

Some words that are said can cut like a saw
and my ears nearly bled at the sound
I can't help prepare for the springtime thaw
'cause Lord I'll be homeward bound
When frost turns to flowers and they all start to bloom
and there's nothing left to hold
tip one back and sing me a tune
and never let the fire grow cold

You can see a video of Whitmore performing the song here.

We talked about cremation and I asked if he had ever heard the poem "Cremation" by Robinson Jeffers (read it here). I promised to e-mail it to him later.

This piece, and most of Carson's work was inked by Thomas Hooper, an incredible tattooer who worked out of Frith Street Tattoo and Piercing in London, and now works out of New York Adorned's Brooklyn shop. You can see more of Hooper's amazing work on his web site here. The quality of Hooper's tattooing is truly awesome.


Carson also gave me some more background on his other work (which I did not photograph). His right arm is sleeved with a depiction of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner" and, as mentioned earlier, the lighthouse is for his fiancée.

It should also be noted that this is another first for Tattoosday, as Carson is the host here whose face is visible in a tattoo shot. Understandable (and appreciated) due to the size of the featured work.

Thanks so much to Carson for sharing his ink with us here at Tattoosday!