The Tattooed Poets Project: Ethan Hon

Next up in the Tattooed Poets Project is Ethan Hon.

I met up with Ethan in the Carroll Gardens section of Brooklyn earlier this month and took photos of three of his tattoos.

Ethan credits the talented artists at Fineline Tattoo in Manhattan.

Ethan explained that "the tattoos of Keats [above] and f(x) [below] were done by Mehai Bakaty." He added, "Keats is self-explanatory [and] F(x) I got done as reminder to be a person, to function."

As for the third tattoo (directly below), Ethan explained,

"Mike Bakaty tattooed Boy with Machine by Richard Lindner [and] was done because I couldn't stop looking at it and also because as Deleuze and Guattari remind us: A schizophrenic out for a walk is a better model than a neurotic lying on the analyst's couch. A breath of fresh air, a relationship with the outside world.

I have two other tattoos not pictured: Cascading black hearts and [one] of Ulysses with his dog once he has returned, along with the Arnold Geulincx phrase, 'Ubi nihil vales, ibi nihil velis' translated roughly as 'Where you are worth nothing, then you shall want for nothing' beneath it.

Ethan sent us this poem:

Red Hook

Jesus has dicks for hands
we must not tell him. Of course,
we will never tell him. Again,
or rather once, Dan walked, drenched
from New Jersey, home to New Jersey.
Last night I lay on the floor with a dog
named Pirate. Don’t tell Creezy.
When Santo told me his tattoo
was of his brother, I told him he should
never wear sleeves. It was not but
it was warm. I should only think
of things that are dripping with fuck--
across her lips, I did not negotiate a life
preserver. The world opens to my de-claring.
To have once been enamored is nice
but now I think everyone is divorcing,
Sail by me on your bicycles,
saying, “See you next Tuesday.”

~ ~ ~

Ethan J. Hon is from Omaha, Nebraska. He is a co-founder of JERRY MAGAZINE. His poems and prose have appeared or are forthcoming in Screen and Paper, TheThe, The New Inquiry, Dossier, Tin House, Cimarron Review, Cannibal, Nebraska Review, and Assembly Magazine. His paper “It Is Easier to Raise a Shrine than Bring the Deity Down to Haunt It: Beckett in the Blogosphere” was presented in June of 2011 at Samuel Beckett: Out of the Archive International Conference. He lives in Brooklyn, NY.

Thanks to Ethan for contributing to the Tattooed Poets Project on Tattoosday!

This entry is ©2013 Tattoosday. The poem and tattoos are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Olivia's "Hippie Chick"

Back in September, I met Kevin and Olivia in Penn Station. Both have tattoos and were kind enough to share their work. Today we get to appreciate Olivia's tattoo, which she described as her "hippie chick":

Olivia explained:

"I drew her myself. I draw all of my tattoos ... It's ... my inner personality brought out ... I play the keyboards. There's a hidden paintbrush in there. My name means 'peace' so I have a peace dove."

She had this tattooed by Esther at Beyond DMT in Buffalo, New York.

Thanks to Olivia for sharing her tattoo with us here on Tattoosday!

This entry is ©2013 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Karrie Waarala

Our next tattooed poet is Karrie Waarala, who chose to share this stunning tattoo:

Located on her upper right arm, Karrie explained the origin of this art:

“This tattoo is a painting by my favorite artist, Franz Marc, whose career full of bold, colorful animals was cut far too short by his death in World War I. I had known I wanted a Marc tattoo for some time and had been shopping around for the right artist to do the work. I was getting a variety of unsatisfactory answers to my queries until I brought the design to Matt Hessler, who owns XS Tattoo in Rochester, MI. He knows art, liked the project, and he's done all of my work since.”

The painting replicated in the tattoo is called “The Tiger” and dates to 1912, one hundred years ago.

As Karrie shared this tattoo, she chose the following poem, which originally appeared in Arsenic Lobster:

For Franz Marc, on the Occasion of His Thirty-Sixth Birthday
           (February 8, 1880 – March 4, 1916, Verdun)

Was it a day like the crush of all days,
soot and stink smearing hours into each other,
death marching on spindly legs across trenches,
palette reduced to churned mud, choked sky,
crusted blood on gunmetal.

Did you steal any slaughter moments,
borrow butcher’s pigments long enough
to catch war’s angry tigers, pour them
haphazard into kaleidoscopes,
or push the peasant heft of draft horses
deftly through sharp prism angles.

Did any of your singed nape hairs stir
hint at the slow whistle of incoming days,
head bursting into spray of colors
thrumming with life as your canvases,
while orders flapped on insufficient wings
declaring you too vital to be ground into France.
Did you hear the animals weep?

~ ~ ~

Karrie Waarala holds an MFA from the Stonecoast Program at University of Southern Maine and is a teaching artist at The Rooster Moans poetry cooperative. Her work has appeared or is forthcoming in journals such as Iron Horse Literary Review, PANK, The Collagist, Arsenic Lobster, and Radius. In addition to a Pushcart Prize nomination for her poetry, Karrie has received critical acclaim for her one-woman show, LONG GONE: A Poetry Sideshow, which is based on her collection of poems about the circus. She really wishes she could tame tigers and swallow swords. 

Thanks again to Karrie for sharing her tattoo and poem with us here on Tattoosday!

This entry is ©2012 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Fabiana's Most Important Tattoo

If you haven't met Fabiana's ink yet, you may want to check out her previous posts here and here before continuing. The above tattoo is on her right bicep and has a remarkable story behind it.

Fabiana was born in Italy. When she was three years old, a mirror belonging to her parents broke. Rather than throw the whole thing out, Fabiana's father, who loved to paint, took the wood on which the mirror had been mounted, and painted this cross:


Sadly, her dad passed away about a year later and Fabiana's mom, wanting her family to have a better life, moved them all to the U.S.

Years later, as an adult, Fabiana decided to honor her father: "I thought about the painting and said Wow, it would be great to have a piece of my dad on me . . . so I took the painting to my tat guy [Lou at Third Eye Tattoos] and he was like, Sure!"

Fabiana loves this remarkable piece. She acknowledges that it's a bit different from the original but it still carries great meaning. Both Fabiana and her twin sister have the same matching tattoo to honor the memory of their father.

Thanks again to Fabiana for sharing another piece of herself with us here at Tattoosday.