Update from the Mermaid Parade, 2012

Yesterday I attended the 30th Annual Coney Island Mermaid Parade. It was my first excursion to Coney Island for this specific occasion and, let me say, it is sensory overload, especially if you are interested in tattoos.

Fueled by Coney Island lager, I managed to meet a few people, take photos, and even get some ink stories for future enjoyment. What you'll see here today are pictures of people and tattoos of folks who I have no information on. I gave them cards and fliers, so I'm hoping seeing their photos here will prompt them to reach out to me so I can give their tattoos proper Tattoosday treatments.

First I want to share my favorite pic of the day:

That would be a sailor kissing a mermaid. But I'd be remiss if I didn't mention the cool New York City tattoo, with the Chrysler Building prominently displayed.

Here's a random shot from the parade on Surf Avenue:

I snapped this tattoo on the Boardwalk:

After taking this picture, I turned on my voice recorded and said, "Bailey Robinson, um, out on the Boardwalk. I have no idea what I just took a picture of. It was really cool and there's tattoos everywhere. Bye."

A day later, I can clarify this. It's obviously a circus lady sitting on an elephant. Bailey Hunter Robinson is a Brooklyn-based tattoo artist, and he actually posted this piece on his website when he first outlined it here.

From the Boardwalk I headed to the Tattoo Shot Lounge to cool off and regroup.

Hanging out there, I met a lot of people, two of whom shared their tattoos. The place was loud and I have no information on these tattoos:

I did find out that "Attempting to discover where to begin" were song lyrics and a little research reveals that the words are from the song "Waiting" by an artist named City and Colour.

Perhaps I'll hear from these inked women who can give me a little more info about their tattoos.

I also met Katy, who got this tattoo in Arizona:

And from the inside of her arm:

Stay tuned in the weeks ahead to see more tattoos spotted at the parade.

Thanks to all of the participants in the Coney Island Mermaid Parade who allowed me to photograph them, and who spoke to me about their tattoos!

This entry is ©2012 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Kyle's Industrial Sunflowers

Riding uptown on the 3 train, I see a sleeve half way across the car that just looks amazing. I can't make out the specifics, but the color and detail tell me it's a fantastic piece.

The problem is, it's a crowded express train during rush hour, and unless this guy gets off when I get off, I won't get a chance to talk to him.

As luck would have it, he does xit the train at the same stop, and as I am trying to catch up with him as he heads upstairs, and across Broadway, I recognize his left sleeve. His name is Kyle, I interviewed him in 2008 (using a borrowed camera, no less) and his post appeared here.

This is new ink, however, and when I finally catch Kyle on the north side of 72nd, it takes a moment, but he remembers me, and is happy to share his new work, which bears a similar theme to the tattoo I spotted last time our paths crossed:

It is by the same artist, Myles Karr, who had done the tattoo from the original post when he was at Saved Tattoo. Myles is now at Three Kings, also in Brooklyn.

Like the prior encounter, from over three years ago (May 2008), the right sleeve is a dichotomy. The left sleeve is a city vs country tension. This piece is dominated by a burst of sunflowers, which travel down the arm and circle the elbow.

On the flip side is another cityscape, this time more silhouetted, and he explains that his near-pastoral umbringing was punctuated by the sunflowers he and his mother harvested. This, juxtaposed by the industrial city, is the center of the tension between the two aspects of the tattoo.

As an afterthought, I snapped a shot of the murder of crows lining the inside of his arm. "I just love crows," he told me.

He also offered up this shin piece, also by Myles Karr:

He explained it is an old-time traditional circus strongman, as old circus and sideshow imagery being another style of designs that he likes.

It was great seeing Kyle again and appreciating the amazing work he had added since our paths last crossed three years ago. Thanks to Kyle for sharing his tattoos with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.